Showing posts with label The Magnus Archives. Show all posts
Showing posts with label The Magnus Archives. Show all posts

Sunday, May 1, 2022

Thoughts about things I saw: The Magnus Archives

I have a couple of posts about The Magnus Archives in the works, but they aren’t finished and I’m not really sure if they ever will be. I am also technically still in the process of finishing the podcast (I’m still missing like 12 episodes or so). Nevertheless, I want to share some of my feelings with you (and elaborate on a point mentioned in the The Evil You Know post.

Spoilers through seasons 1-3.



If you don’t know, The Magnus Archives is a horror podcast that starts out as mostly disconnected tales of terror and develops more of a story line as it goes on. The Magnus Institute collects statements of people who had a terrifying supernatural encounter. Jonathan Sims, the new archivist (not to be confused with Jonathan Sims the author of the podcast), reads and records those statements for posterity and comments on them.

He is, at the beginning, extremely skeptical and comes off as a bit of a pretentious asshole. For a while he is the only character we hear. He does, however, mention three assistants. Sasha, who is good with computers, Tim, who flirts info out of people and Martin, who Jon has taken a particular dislike to due to his perceived incompetence. Martin is the first other main character we hear talk and from that first moment I (and many others listening to the podcast) fell in love. Martin wanted to impress Jon to prove himself and maybe get Jon to think better of him and got besieged by a worm monster for his troubles. He had been gone for two weeks at that point without anyone checking up on him.

As the seasons go on the Martin we get to know remains caring and sweet - although he can be petty, sarcastic and cutting when he wants to be. He makes tea for everyone, stubbornly checks up on an increasingly frazzled - and extremely unwilling - Jon, forgives easily, accepts hostile behavior and tries to keep as much harmony as he can. He is criticized for his efforts by his colleagues who perceive his behavior as weakness, naivety or cowardice.

Jon and the audience, meanwhile, learn that Martin had faked his CV to get the job, which he desperately needs to support his sick mother and that he has been working to support her since he was a teenager.

By season 3 I am deeply invested in the characters. They developed and changed in response to the horror that their job has become and are now trying to free themselves of a contract and a nightmare boss (while also trying to stop the apocalypse). Tricking the nightmare boss involves distracting him and distracting him involves having him pry open your deepest trauma.

It’s a good plan, one Martin came up with, and because Martin came up with it, he decides he will be the one to sit through this psychological torture session. Earlier in the season the audience has been witness to such a psychological torture session featuring a different character and has heard how awful it was. That did not, however, prepare me in any way, shape or form for what would happen in episode 118.

At first it seems like the nightmare boss would go for Martin’s obvious romantic feelings for Jon. He does bypass those and instead digs for Martin’s childhood.

When Martin was young, his mother got diagnosed with an unspecified incurable disease. The father promptly left the family because he did not want to deal with that. Martin now devoted himself to helping and supporting a mother that grew increasingly resentful and hostile. While Martin gave up his life almost completely, dropping out of school, never forging any lasting friendships or romantic relationships, abandoning his dreams, she never thanked him and made him feel like every effort he took to help her wasn’t only not appreciated or even unwelcome but actually resented. Nowadays, his mother is in a nursing home and mostly does not even want to have contact with him. The nightmare boss finally reveals that Martin’s deepest fears are right and that his mother does in fact hate him. She hates him because he reminds her of his father, the husband who left her. She hates him because despite her resentment, she is reliant on his help. And no matter what Martin does or says or how much he tries, there is nothing he can do to make her, who has been the center of his life since he was a young teenager, even like - let alone love - him.

There are many aspects of this I find so deeply tragic. Martin has always suspected that his mother felt this way but hoped - desperately - to be wrong. He developed a skewed perspective of what love means as a result, which influences every relationship he attempts to forge. The fact that it’s so deeply personal but fully out of his control since he can’t influence it in the least. And mostly, maybe, the sheer mundanity of it all.

Despite all the creative and deeply unsettling supernatural horrors the podcast gifts us, there is nothing in it that fucks me up deeper than this. Martin, who is so stubbornly kind and caring, has, at this point, not been loved by anyone since he was a young teenager. It brilliantly recontextualizes what we saw of him throughout the show and gives the character tragic complexity. When I first listened to this episode I had to stop the podcast and take a couple of minutes to cry for the very real pain I felt for this fictional character and to this day this episode brings tears to my eyes.

Any podcast that can make me feel so deeply is worth checking out!


Satori over and out


P.S. Have my authentic reactions I texted my friend who got me into The Magnus Archives:

[5/14/2019, 20:27] Me: Ohhhhhh goddddddd
[5/14/2019, 20:28] Me: I'm crying for Martin right now
[5/14/2019, 20:28] Me: That's godddd that's terrible that's so terrible
[5/14/2019, 20:58] Me: I don't think I'll ever be able to experience joy again

Tuesday, June 25, 2019

The Evil You Know

Warning! Mention of rape and child abuse

I recently listened to a horror podcast called The Magnus Archives (more on that in a different post) and its writing is brilliant, its narrative compelling and the way it builds horror and unease is amazing. But no matter how many upsetting eldritch creatures it introduces, how many creepy, disturbing and deeply unsettling stories it tells, nothing fucks me up like that one character's completely mundane backstory.
Part of the reason for my intense emotions, surely, is the fascinating way the podcast developed its characters, so that the backstory could take its full devastating effect, but another part of it is the phenomenon I want to talk about now: the evil we know is more terrifying.

We can easily see this phenomenon take shape in fandom spaces. While only very few people actually like Voldemort, for example, his evil is abstract in a grandiose genocidal way (though not without its clear real world counterpart). So while people generally don't like him, any dislike is (for the most part) impersonal in nature. Dolores Umbridge, on the other hand, is easily one of the most hated - if not THE most hated - characters in the Harry Potter franchise. And while misogyny might be, in this case, at least partially to blame, another reason is that the evil Umbridge represents is much more tangible for some people. A lot of people have had to deal with cruel and unfair teachers in their lives that made school a living hell. The emotions she invokes, therefore, are much closer to the audience' everyday lives.

A similar case can be found in Supernatural, where a large part of the fandom definitely likes some of the big bads the show has to offer. Lucifer, for example, who planned to kill all of humanity and hurt and murdered characters is actually pretty popular. What he does, is clearly fantastical in nature and, therefore, easy to ignore. The Winchesters' father, however, is markedly less popular, even though the show itself doesn't even position him as anything less than a tragic anti-hero. As a neglectful and at least emotionally abusive father, his misdeeds strike a chord with audience members, who might have their own difficult relationships with their fathers.

When Iwan Rheon (Ramsay Bolton's actor in Game of Thrones) wondered why people were more upset about season 5's rape scenes than they were about the horrific torture earlier, he missed the point. Torture as shown in the show is clearly medieval and so far removed from anything any of the audience is likely to experience that, while it is upsetting to watch, it is not the same as rape since rape is a very real danger that people face in their everyday lives. 

Coming back to what I started out with: The Magnus Archives is full of wonderfully disturbing horror stories, featuring nightmare scenarios like wandering an empty world until your body gives out, being buried alive and unable to die, falling through an empty sky forever, being overtaken by a hive of worms and many more. And still, the worst I've felt while listening, is that one backstory that doesn't have any supernatural elements at all. Instead it's a father leaving the family when the mother gets sick and a mother who from then on starts hating the son forced to take care of her.
I've wondered why this is so much worse for me even though it lacks the classic horror elements. 

And now I think it's - at least partially - BECAUSE it lacks those elements. Its horror is real.

Satori over and out

About Me

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I am in my early 30s and finished my university career. My areas of study included media analysis, literary and cultural studies, linguistics, and history. I like reading, drawing, writing, movies, TV, friends, traveling, dancing and all kinds of small things that make me happy. Just trying to spread some love.

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